Science and Spiritual Practice

On reading the book with the above title by Rupert Sheldrake, I was surprised to discover that Rupert and I had a number of things in common. Rupert was born and grew up in Newark-on-Trent in a Methodist family. As he became fascinated by science, he became aware that most of his science teachers were atheists. Science and atheism went together. Similarly, I grew up in Lincoln, a mere 30 miles away and several years later, and was initially exposed to Methodism until the unrelenting materialism of the science at school led me into a deep scepticism about religion.

Rupert always felt that purely objective science was inimical to the study of biology; it seemed to be based on killing the things it was investigating. Eventually, through the inspiration of Goethe, he came to be an independent scientist with his own theories of what was called morphic resonance. After the then-fashionable experimenting with meditation and eastern religions, Rupert eventually returned to Christianity, which he has practised ever since, alongside an increasingly recognised scientific career.

Our paths crossed briefly in the 1990s, when Rupert came up to Knutsford and stayed at our house, to deliver a fascinating Knutsford Lecture on the subject of ‘Dogs that Know When their Owners are Coming Home’. As a person, he was delightful to be with, unpretentious and yet seemed very wise.

Anyway, on to the book that is the subject of this review. Rupert refers to research that shows that religious and spiritual practices confer benefits in terms of physical and mental health. He has chosen 7 specific practices to concentrate on, that are common to the major religions, and each of which he has personally experienced. As he says, spirituality is about practice, not about belief. For each, he suggests ways of gaining direct experience of these practices.

The seven practices covered are: meditation; the flow of gratitude; reconnecting with the more-than-human world; relating to plants; involvement in rituals such as choral evensong; music, singing and chanting; pilgrimages and holy places. We are encouraged to get involved in each of these as part of our journey. And Rupert is suggestive, not prescriptive – a somewhat homespun approach to spiritual practice, but maybe that’s what we need. As one who has been involved in most of these as part of my own journey, I can say that it all makes sense – practical spirituality.

The concluding chapter suggests that each of these practices is a way of connecting – to our minds, to others, to the more-than-human world, to different life forms, to our social past, to the flow of life, to holy places. This is by no means an exhaustive list of practices, but engaging in them enriches our spiritual life. It also has measurable benefits, which will please the secular/ scientific reader, but come as no surprise to the more spiritually inclined. Rupert is doing great service in potentially spreading spiritual practices to a wider part of the population, without them feeling they are becoming part of ‘woo woo’ spirituality.

Featured image is of Boston Stump, a holy place in Boston, Lincolnshire – not far from Newark and Lincoln.

Playing Favorites Leahy

Not often I blog music, but these pieces by the Canadian family group Leahy (from Older Eyes blog) are quite refreshing!

Older Eyes

leahytooYears ago my wife Muri and I used to take a mini-vacation every Valentine’s Day.  I’d pick a place that wasn’t too far from home then search the web for things to do there: museums, concerts, tours … and, of course, restaurants.  This all stopped when our first grandson, Reed, was born on Valentine’s Day and Valentine’s Day became Reed’s Birthday.   The year before Reed was born, we spent a long weekend in Santa Fe, New Mexico.  In searching for entertainment for Saturday night, I found a group named Leahy performing at the Lensic Performing Arts Center.  I’d never heard of the group, so I navigated to their website to find that Leahy is a Canadian folk group made up entirely of family members from Lakefield, Ontario.   The eight member band features fiddle-based music that ranges from traditional jigs and reels to their own folk-rock compositions.  All the members…

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All about the numbers

When a particular subject lights something up inside you, it’s worth taking notice. For me, one of those is the numbers – specifically the whole numbers, or integers. Thus was I from childhood drawn to mathematics, and later to Greek philosophy via Pythagoras. The former gave the outer mechanics of numbers, the latter suggested that numbers had a more mystical and imprecise meaning, leading to later interests in subjects such as numerology, and to astrology, where the numbers lurk in the background.

So I was a sucker for these two books which approach the numbers in completely different ways:

  • Music by the Numbers by Eli Maor
  • The Archetype of Number and its Reflections in Contemporary Cosmology, by Alain Negre

music by the numbersFor people such as me, Eli Maor has written an engaging book about the relationship between music and mathematics. The development of musical scales from Pythagoras to the early 20th century is an interesting story, reasonably well explained, from Pythagoras’s whole number ratios through the equal tempered scale exemplified in the work of JS Bach to the experiments of Stravinsky and Schoenberg.

The fascination still seems to lie in those magical simple ratios of musical resonance: the octave 2:1, the fifth 3:2 and the fourth 4:3, from which are derived the Pythagorean Scale, which is nearly ‘right’, but in the end not adequate for use in orchestras with different sort of instruments, as Maor explains. Always the whole numbers are beautifully simple, but prove too limited to describe the real world, hence the subsequent invention of all the panoply of mathematics, irrational numbers, imaginary numbers, the calculus and on and on.

And in the end, always and tantalisingly, the maths cannot fully describe the real world, which we know thanks to the insights of Kurt Gödel.

archetype of the numberAlain Negre’s book is about number as archetype – the qualitative aspect of number, which was revived in the 20th century by psychologist Carl Jung and physicist Wolfgang Pauli. All begins with 1,2,3, and 4 – just as with the Pythagorean scale. The qualities of these 4 basic numbers are explored and particularly related to the work of Jung, and to the triplicities and quadruplicities of astrology.

There are rather incomprehensible (to me) chapters relating the numbers 3 and 4 to current theories on the evolution of the cosmos – rather speculative, I think. Negre goes on to suggest that the astrological zodiac with the 12 signs is another projection of these number archetypes, including discussion of the axis crosses and the oppositional polarities in a chart of the 12 signs.

So the book is both familiar to me, in an astrological sense, and almost incomprehensible when relating to modern cosmology, which must be partly due to my own failure to keep up with this field. In fact, I had a similar reaction to an earlier work some years ago Number and Time by Marie-Louise von Franz. It feels like there is something important there, but the author has not quite managed to express it in a way that is easily comprehensible to me (of course this may be a commentary on me, rather than on the author’s work).

So yes, number still has that magical pull, but these books didn’t greatly enlightened me. Nor did they blunt that fascination with the numbers.

Music by the Numbers is much the more readable.

Everybody Knows

The first two verses of Leonard Cohen’s lyrics in the track ‘Everybody Knows’ seem an apposite comment on the recent UK General Election.

Everybody knows that the dice are loaded
Everybody rolls with their fingers crossed
Everybody knows that the war is over
Everybody knows the good guys lost
Everybody knows the fight was fixed
The poor stay poor, the rich get rich
That’s how it goes
Everybody knows

Everybody knows that the boat is leaking
Everybody knows that the captain lied
Everybody got this broken feeling
Like their father or their dog just died
Everybody talking to their pockets
Everybody wants a box of chocolates
And a long stem rose
Everybody knows

Here’s the rest, or listen here.

Everybody knows that you love me baby
Everybody knows that you really do
Everybody knows that you’ve been faithful
Ah give or take a night or two
Everybody knows you’ve been discreet
But there were so many people you just had to meet
Without your clothes
And everybody knows

And everybody knows that it’s now or never
Everybody knows that it’s me or you
And everybody knows that you live forever
Ah when you’ve done a line or two
Everybody knows the deal is rotten
Old Black Joe’s still pickin’ cotton
For your ribbons and bows
And everybody knows

And everybody knows that the Plague is coming
Everybody knows that it’s moving fast
Everybody knows that the naked man and woman
Are just a shining artifact of the past
Everybody knows the scene is dead
But there’s gonna be a meter on your bed
That will disclose
What everybody knows

And everybody knows that you’re in trouble
Everybody knows what you’ve been through
From the bloody cross on top of Calvary
To the beach of Malibu
Everybody knows it’s coming apart
Take one last look at this Sacred Heart
Before it blows
And everybody knows

Everybody knows, everybody knows
That’s how it goes
Everybody knows

Everybody knows

Everybody knows that the dice are loaded
Everybody rolls with their fingers crossed
Everybody knows that the war is over
Everybody knows the good guys lost
Everybody knows the fight was fixed
The poor stay poor, the rich get rich
That’s how it goes
Everybody knows

Everybody knows that the boat is leaking
Everybody knows that the captain lied
Everybody got this broken feeling
Like their father or their dog just died

Everybody talking to their pockets
Everybody wants a box of chocolates
And a long stem rose
Everybody knows…

So much in the words of a song, by Leonard Cohen.

Listen to it on YouTube.

Pic by Rama via Wikimedia Commons.