Queen’s Gambit

We just completed watching the popular Netflix miniseries Queen’s Gambit, the fictional story of a female chess prodigy Beth Harmon, based on a novel by Walter Tevis.

The story is well told, in such a way as to make it interesting to non-chessplayers. As an ex-chessplayer, to county standard, I can say that it does get over quite well the reality of playing chess at the time – the fictional period is round about the time I was regularly playing chess. You really get the feel of the excitement of playing the games, but without need to understand precisely what is going on at the board. Indeed, the chessplayer cannot easily tell what is happening. But the drama is excellent.

It does give an idea of the misogyny that was prevalent in the game at the time, which reflected the wider society. Boys just did not believe that girls could really play chess as well. Although in the USSR things were different. Women’s world champion Nona Gaprindashvili was a very strong player, as I discovered when drawing with her in a simultaneous diplay in Cambridge in the 1960s.

This is also a deep psychological story, of how Beth copes with a deep trauma from childhood and how this affects her chess and relationships, again well done.

When she goes to Moscow (funnily enough around the time when I was involved in a real chess trip to Moscow), the film also only hints at the extreme measures taken by the USSR to ensure its hegemony at chess. The shenanigins of the matches between Bobby Fisher and Boris Spassky and between Anatoly Karpov and Victor Korchnoi are notorious. She would have needed seconds along with her to survive.

And finally, when she has beat a Russian opponent, he hugs her – a modern sexism for effect in the film, but no, it would not have happened then.

Still, it’s a great story. I give it 5/5.

Featured image is from Netflix publicity.