We’ve travelled around Europe a fair amount over the years and it is clear from the evidence of art and architecture that something special happened around the 12th/13th centuries and again the 15th/16th centuries. The Romanesque and Gothic architectures, the paintings and sculptures of Tuscany, the establishment of universities, printing, the beginnings of great literature,…
What was it that led to this original Renaissance? What special combination of circumstances caused that great explosion of the human spirit? Philosopher Jean Gebser had an answer in his book The Ever Present Origin (1949), and it goes back to the basic nature of our own consciousness.
Humanity has gone through four basic ‘structures of consciousness’: the ‘archaic’, the ‘magical’, the ‘mythic’ and the ‘mental-rational’. He dates the period when the transition began from ‘mythic’ to ‘mental-rational’ at around 1225. This was the period when left brain consciousness began to assert itself against the submersion into a right-brain dominated world. For a period the two were in some sort of state of balance which led to the creative explosion of those periods of Renaissance.
Then as time progressed the dominance of left brain was gradually asserted (see The Master and His Emissary), interconnectedness was reduced and the emphasis moved to individuality and competition. Of course, this has been creative in its own way, see the explosion of science and technology, but it has been at a cost of the basic connection with life itself. Hence increasing problems of pollution, environmental degradation, global warming, species extinction, mega-wars, terrorism,…
Gebser postulated that we are on the threshold of a fifth structure of consciousness – the ‘integral’ – which would begin to redress the balance that has gone too far one way. Such a new consciousness would re-establish that creative balance between the two halves of the brain, but at a higher level – leading to a New Renaissance.
Many thinkers have since then built on Gebser’s ideas, including Ken Wilber and Iain McGilchrist.
I am indebted to Gary Lachman’s book The Secret Teachers of the Western World for inspiring this post.
Featured image of Botticelli Venus courtesy of Wikimedia Commons